Close Menu
    Facebook X (Twitter) Instagram
    TPIMEA
    • Home
    • News
    • Features
      • Event Focus
      • Production Profile
    • Interviews
      • In Profile
      • Interview
      • Feedback
      • Gear Heads
    • Magazine
      • Issue Archive
      • Contact Us
      • Subscribe
      • TPiMEA Mediapack
    • TPiMEA Awards
    • SET Awards
      • Website
      • Media Pack
    • TPi
    TPIMEA
    Home»News»Allen & Heath Launches a New 96kHz Mixer
    News

    Allen & Heath Launches a New 96kHz Mixer

    Jacob WaiteBy Jacob Waite8th October 2019No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email
    Share
    Facebook Twitter LinkedIn Pinterest Email

    Allen & Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company’s XCVI FPGA engine. Avantis puts Allen & Heath’s next-generation technology in a 64 channel / 42 configurable bus console, with twin Full HD touchscreens, extensive I/O options and processing from the company’s flagship dLive mixing system.

    “Joining dLive and SQ, Avantis completes our trilogy of next-gen 96kHz consoles,” said Rob Clark, Allen & Heath’s Managing Director. “Avantis takes many of the features that have made SQ and dLive so popular, putting them in a standalone 64-channel mixer that offers a new UI experience, connectivity with our Everything I/O ecosystem, and the dPack option which gives you access to our advanced dLive processing options if and when you need them.

    “On top of that,” added Rob, “we’ve taken a new approach with the industrial design, coming up with a full metal chassis that’s super-strong, lightweight and looks fantastic.”

    Encased in its alloy shell and tubular frame, the Avantis control surface was centred on the two Full HD touchscreens and their corresponding rotary controls.

    “Having two touchscreens isn’t a new concept, but we realised we could use it to unlock exciting new possibilities, which led us to develop Continuity UI,” said Andy Bell, Allen & Heath’s R&D Director.

    “Within seconds of getting hands-on with Avantis, engineers are going to appreciate the seamless flow between the physical controls and the on-screen software. You can work gains and pans on the rotaries, then at the touch of a soft key switch to EQ or dynamics across the whole strip. The console also provides a highly configurable FastGrab tab on the right-hand side of each screen, offering another way to quickly and easily access control of aux sends, EQ, compressor and FX on the currently selected channel or spot channel. Ultimately, with Continuity UI, the engineer decides how they’d like to work, not the mixer.”

    While many users will choose to pair Avantis with the 48 in / 16 out GX4816 audio expander, Avantis is part of Allen & Heath’s Everything I/O ecosystem, which means whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, Avantis allows true flexibility by connecting to a huge range of audio expander hardware. Avantis is also compatible with Allen & Heath’s range of ME Personal Mixers and IP hardware remote controllers.

    For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out). Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64×64 and 128×128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH/monitor splits and multitrack recording.

    Right out of the box, Avantis is loaded with processing tools designed to meet the demands of most users and applications, including compressors, EQs and Allen & Heath’s acclaimed RackExtra FX units (12 slots). Upgrading to dPack expands Avantis further with additional dLive processing including the Dyn8 dynamics engine (up to 16 instances), DEEP Compressors, and the Dual-Stage Valve preamp. dPack purchasers will automatically receive all future DEEP and FX updates free of charge, future-proofing their investment.

    “In the gap between SQ and dLive, the mixer market is littered with 48kHz DSP-based ‘old-school’ consoles,” said Nic Beretta, Allen & Heath’s Head of Product. “Avantis brings next-generation performance across the board. Customers in venues, houses of worship, touring and the rental market are going to be seriously impressed by how well this ticks the boxes. It’s a really exciting mixer at a compelling price.”

    www.allen-heath.com

    Allen & Heath Avantis
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Jacob Waite
    • Website

    Related Posts

    Disguise expands Middle East presence

    8th June 2026

    CTME relies on DirectOut PRODIGY.MP for G42 Supercharged 2025

    4th June 2026

    System Design Exchange: a new standard for noise prediction

    4th June 2026

    Comments are closed.



    Facebook X (Twitter) Instagram LinkedIn
    © TPiMEA Magazine 2026

    Type above and press Enter to search. Press Esc to cancel.

    We are using cookies to give you the best experience on our website.

    You can find out more about which cookies we are using or switch them off in .


     width=


    SIGN UP
    TO OUR NEWSLETTER

    ×
    Privacy Overview
    TPIMEA

    This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

    Strictly Necessary Cookies

    Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

    Cookie Policy

    More information about our Cookie Policy

    Powered by  GDPR Cookie Compliance