What was the idea behind this innovation?
We wanted to bridge the gap between cinematic image quality and live production efficiency. Traditional camera setups often demand bulky infrastructure, multiple power sources, and complex signal routing – all of which can slow down deployment and complicate control.
Instead, we came up with a custom-built multi-camera system centered on Blackmagic Studio Camera 6K Pros paired with Canon CN-E 70-200mm T4.4 L IS KAS lenses and a 18-400mm lens for versatile coverage.
It’s about solving complexity through simplicity. We wanted a compact solution that’s fast, light, and reliable – something we can trust in any indoor venue, under tight timelines. And as we like to say at CasaMilan, the solution often turns out more beautiful than the puzzle.
How was this solution deployed at the TPiMEA Awards 2025?
For us at CasaMilan Live Productions, the TPiMEA Awards was not just another show; it was an opportunity to showcase this bespoke camera system that’s been years in the making.
The magic isn’t just in the gear; it is in how it is all put together. Every camera connected back to a compact, in-house-built rack featuring four Blackmagic Studio Converters, an ATEM Television Studio HD8 ISO mixer and a 42in LCD multiviewer. A single Cat7 cable delivered power, signal, and camera control – a streamlined approach that transforms setup time and reduced on-site clutter.
Everything was packed in Pelican cases – one for each camera and lens – making transport and setup as effortless as possible. Meanwhile, Hollyland Solidcom C1 Pro wireless comms ensured smooth communication between the roaming radio camera on a gimbal and the rest of the studio camera team.
On site, the CasaMilan camera crew operated like a finely tuned orchestra, conducted by Multicam Director, Christine Henry. Each camera had a specific role in capturing the evening’s flow and thanks to the compact size, it resulted in being less obstructing than a conventional broadcast camera.
Camera one (stage left) provided a stable profile shot of the stage; cameras two and three (back of venue) captured wides, mids, and walk-ons using Canon servo zoom lenses for cinematic, parfocal transitions; and camera four (mobile, handheld) added energy and intimacy by following sponsors and winners.
Camera direction is the ultimate team sport and the direction of the live mix mirrored the precision of a live performance. It’s our combined performance and skill set that makes the magic happen. Every camera op, every cue, every switch matters – and that unity is what turns a live show into a visual experience.
Where else might we see this kind of setup utilised?
CasaMilan’s camera system has quietly become a favourite across the region’s top award nights, including numerous ITP Media Group productions, where its modularity and reliability are crucial.
By combining broadcast-quality images with a portable, networked system, the solution allows us to deliver cinematic visuals without the need for an OB truck or cumbersome infrastructure.
How pleased were you with your delivery at TPiMEA Awards 2025?
The pleasure of being behind the scenes is finding solutions that are as small and fast as they are effective. Our priority has always been the people in our team, not the equipment. Through experience and technical creativity, we’ve discovered that tools like the Blackmagic Studio Cameras or our ultra-compact TriCaster AV setup allow us to work smarter – fast to build, fast to dismantle and without the need for massive AV desks to deliver magic on stage.
And yes – the ultimate goal is always to be out of the venue within 20 minutes, or even better at the bar celebrating a job well done with our clients.
Photo: CasaMilan
