Close Menu
    Facebook X (Twitter) Instagram
    TPIMEA
    • Home
    • News
    • Features
      • Event Focus
      • Production Profile
    • Interviews
      • In Profile
      • Interview
      • Feedback
      • Gear Heads
    • Magazine
      • Issue Archive
      • Contact Us
      • Subscribe
      • TPiMEA Mediapack
    • TPiMEA Awards
    • SET Awards
      • Website
      • Media Pack
    • TPi
    TPIMEA
    Home»News»Core Productions invests in CHAINMASTER CELLMASTER
    News

    Core Productions invests in CHAINMASTER CELLMASTER

    James RobertsonBy James Robertson6th November 2025No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email
    Cape Town-based Core Productions invests in a CHAINMASTER CELLMASTER load cell monitoring solution, supplied by DWR Distribution.
    Cape Town-based Core Productions invests in a CHAINMASTER CELLMASTER load cell monitoring solution, supplied by DWR Distribution.
    Share
    Facebook Twitter LinkedIn Pinterest Email

    As events increasingly feature heavier rigging setups—particularly large LED screens—Cape Town-based Core Productions has taken a proactive step to enhance safety by investing in a CHAINMASTER CELLMASTER load cell monitoring solution, supplied by DWR Distribution.

    The new load monitoring system was immediately put to use mainly focused on rigging LED screens due to the weight implications that gets spread across points. For company owner Bernard Gramann, the investment provided both technical control and much-needed peace of mind. CELLMASTER, the wireless load cell monitoring solution from CHAINMASTER, delivers precise monitoring and logging for rigging installations. Core Production’s new gear comprises eight Load Cell Shackles (3.25t), one CELLMASTER and USB Base Station, all housed in a carry case.

    “It’s a game-changer to eliminate the guesswork from load distribution,” said Bernard. “When flying heavy LED screens, even the smallest adjustment—like a single click on a monitor—can drastically shift the load, sometimes increasing it fivefold on a single point. That kind of variance can compromise rigging safety if not properly managed.”

    At a recent event hosted at Sun City, for example, the venue’s rigging points were rated at 250kg each, offering limited tolerance. The rig comprised eight points—three on the left, two at the centre, and three on the right. Given the close margin, Bernard approached the job with caution.

    “Flying LED screens safely means knowing exactly what each point is bearing. Using load cells gave us real-time visibility,” he explained. “With a 3-point pick-up, the centre point can carry as much as 62% of the load. Thanks to the load monitoring system, we were able to make real-time motor adjustments and redistribute the load evenly. It worked flawlessly.”

    The Core Productions rigging team was equally impressed. Being able to detect if one motor was running faster than another allowed them to correct imbalances before they became a safety concern.

    “Our lighting rigs rarely pose a problem—they’re lighter and the weight is more evenly distributed,” Bernard continues. “But LED screens are another story. As they grow in size, they become significantly heavier, and the risks increase. Globally, we’ve seen more LED screen collapses than failures of lighting or audio rigs. That’s why I strongly believe any team flying LED screens should be using load cells—for the safety of their crew, equipment, and the audience.”

    Bernard also expressed his appreciation for the support he received from Robert Izzett at DWR Distribution. “Rob was incredible—he educated me on the load cells, helped me get started, and was available to assist, even on weekends while out cycling! He embodies what DWR is all about: supporting people. I’m grateful to the entire team.”

    dwrdistribution.co.za

    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    James Robertson
    • Website

    Related Posts

    STARAS Electronic Equipment Rental makes major Martin Professional investment

    17th July 2026

    grandMA3 in control for opening of Zayed National Museum

    15th July 2026

    Robe returns to Mediatech Africa

    14th July 2026

    Comments are closed.



    Facebook X (Twitter) Instagram LinkedIn
    © TPiMEA Magazine 2026

    Type above and press Enter to search. Press Esc to cancel.

    We are using cookies to give you the best experience on our website.

    You can find out more about which cookies we are using or switch them off in .


     width=


    SIGN UP
    TO OUR NEWSLETTER

    ×
    Privacy Overview
    TPIMEA

    This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

    Strictly Necessary Cookies

    Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

    Cookie Policy

    More information about our Cookie Policy

    Powered by  GDPR Cookie Compliance